We love our shows so much we created a blog for it.
athenawj is a writer-mama-artist-editor-blue ribbon junkie who can't get enough of her favorite t.v. shows (and the ridiculous amount of videotapes in her house proves it). She's owned various t.v.s for awhile, but only recently discovered the joys of OnDemand.
merserene is a professional-turned-student who has an unhealthy addiction to some shows. She bought her first TV last year and is particularly fond of old reruns and British comedy.
Alias
Coupling
Desperate Housewives
Fawlty Towers
Keeping Up Appearances
Rick Steves' Europe
Sex And The City
Two And A Half Men
What Not To Wear
Because I'm lazy, here's the official episode synopsis: http://www.nbc.com/Law_&_Order/episode_guide/374.shtml. And will someone friggin' tell me how to write that out so it's not just a copy and paste of code?
I've felt this season's been better than the last few. Of course it's the writing, but maybe my disgruntlement's eased by the absence of the robotic Elizabeth Rohm. Whatever the reason, the eps have been more up to par, and last night's felt more like The Mothership of old, more like seasons 3 through around when Carey Lowell left. More tension, more Jack of Old.
This one was partially ripped from a headline a few years ago, very reminiscent of the Jon Benet Ramsey case: a beautiful child model is raped and murdered, and her father is the initial, highly publicized suspect. Ten years later, there's a deathbed confession that doesn't implicate the father, and Fontana feels the need to reopen the case.
Of course it had to be Fontana who heard the confession and knew the girl's name, but whatever. I'll overlook that coincidence.
Other than what I've mentioned above, I don't know what set this one apart from the last few seasons; it just all played out better, the characterizations were better, so on blah blah blah. I just plain liked it. The father was played by a man that I recognized from many movies but can't remember his name (an unfortunate for many character actors), and he did a wonderful job. Although I have my own notions about some highly publicized cases, I can't imagine being accused of murdering my child when I did not. I'm sure it's pure hell. That he'd held onto his anger for over a decade was real and palpable, and the ending of the ep was perfect; no sappiness, no tidy, neat ends. That was real as well. Many cops have no idea the power they wield in ruining people's lives, and expect to be forgiven because they were only doing their jobs. That Fontana was not granted forgiveness was perfect, and just.
The only downside to the ep was the jury's verdict. If they didn't show the verdict in the interest of time, well, that sucked. They should have taken out the ridiculous squabbling between McCoy and Fontana (whose tough guy routine I despised-- leave Jack alone!) and put in a reaction to the verdict other thanb Green getting a phone call.
All in all, a good, solid episode. I can only hope the rest of the season's just as good.
***
I didn't watch Lost. I'm much more enjoying Martha Stewart's version of The Apprentice. Plus, Mr. Calm passed out on the couch and I didn't have to wrestle the remote away from him. ;D

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